[1]罗莹.论黄峨散曲的审美特征[J].西华师范大学学报(哲学社会科学版),2013,34(02):6-10.
　LUO Ying.An Analysis of the Aesthetic Features of Huang E's Sanqu Poems of Ming Dynasty[J].Journal of China West Normal University(Philosophy & Social Sciences),2013,34(02):6-10.
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论黄峨散曲的审美特征

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《西华师范大学学报(哲学社会科学版)》[ISSN:1672-9684/CN:51-1674/C]

Title:: An Analysis of the Aesthetic Features of Huang E's Sanqu Poems of Ming Dynasty

Author(s):: LUO Ying; Department of Cultural Communication,Sichuan Vocational and Technical College, Suining 629000,China

摘要:: 在明代南派曲家日趋雅化的时代风气中，黄峨独树一帜，自觉维护着散曲“以俗为美”的基本特质。无论是题材内容，还是表现手法与语言运用，都表现出“以俗为美”的倾向，对“曲体的遵护”有着重要的贡献，在散曲史上具有重要的意义。

Abstract:: With the trend of the school of south composers in Ming Dynasty being more elegant, Huang Es Sanqu poems works were unique. She insisted that popularity was beautiful. Not only her subjects and contents, but also her technique of expression and the usage of language tended to take popularity as beauty, which made contributions to keeping the style of Sanqu poems and had great significance in the history of Sanqu poems.

[1]舒红霞.论黄峨散曲的艺术结构[J].西华师范大学学报(哲学社会科学版),2013,34(02):1.
　SHU Hong-xia.The Art Structure of Huang E's Sanqu Poems[J].Journal of China West Normal University(Philosophy & Social Sciences),2013,34(02):1.
[2]杜欣莉,赵义山.黄阁紫扉元是梦，归来长赋旧家声 ——明正德间宰辅大臣杨廷和散曲创作历程初论[J].西华师范大学学报(哲学社会科学版),2017,(01):9.
[3]姚亚男.刘良臣田园散曲及其曲学史意义[J].西华师范大学学报(哲学社会科学版),2019,(02):27.

备注/Memo:: 收稿日期：2012-11-20 作者简介：罗莹（1974-），女，四川遂宁人，四川职业技术学院文化传播系副教授，四川大学文学与新闻传播学院中国古代文学硕士，研究方向为元明清文学。

更新日期/Last Update: 2013-03-25